Responsive Logo Design as Visual Identity of DKV Universitas ‘Aisyiyah Bandung

  • Mochammad Faizal
Keywords: Bentuk Geometri, Desain Logo Responsif, Identitas Visual Program Studi

Abstract

The increasing use of the internet in Indonesia, especially during the Covid-19 pandemic, has become an issue that needs to be considered by institutions when designing the Desain Komunikasi Visual study program logo of the Universitas ‘Aisyiyah Bandung. This study aims to design a study program logo that is responsive when applied in various media, which emphasizes geometry shapes as an Islamic visual identity. The design process is done by qualitative methods using a linear design strategy. Data collection was carried out through a literature study, visual observation of three similar logos, and then analyzed using a comparison matrix. The result is a logo that is composed of geometric shapes, has a golden ratio, and has several alternative configurations that reflect its nature as a responsive logo on various digital media. This research can be an example to design other similar logos, especially in the scope of Universitas ‘Aisyiyah which is wrapped with Islamic nuances.

Downloads

Download data is not yet available.

References

Akdeniz, C. (2019). The Golden Ratio. IntroBooks. Diambil dari https://books.google.co.id/books?id=sQiEDwAAQBAJ&dq=golden ratio

Beaird, J., & George, J. (2014). The Principles of Beautiful Web Design (3rd ed.). Collingwood: SitePoint Pty. Ltd.

Bonner, J. (2017). Islamic Geometric Patterns. New York: Springer.

Bouaissa, M. (2013). The Crucial Role of Geometry in Islamic Art. Diambil 19 Mei 2020, dari http://www.alartemag.be/en/en-art/the-crucial-role-of-geometry-in-islamic-art/

Cao, J., Zieba, K., Stryjewski, K., & Ellis, M. (2015). Color Theory in Web UI Design. UXPin. Diambil dari https://www.uxpin.com/studio/ebooks/color-theory-web-ui-design-practical-principles/

Clement, J. (2020). Worldwide Desktop Market Share of Leading Search Engines from January 2010 to January 2020. Diambil 19 Mei 2020, dari https://www.statista.com/statistics/216573/worldwide-market-share-of-search-engines/

DeSantis, D. (2019). Technology Brand Colors : Red, Bright, and Blue. Diambil 19 Mei 2020, dari https://www.desantisbreindel.com/insights/b2b-tech-brand-colors/

Ellis, M. (2018). Responsive Logos : What They Are and Why You Need One. Diambil 19 Mei 2020, dari https://99designs.com/blog/trends/responsive-logos/

Fulkerson, E. E. (2018). A Guide to the Golden Ratio for Designers. Diambil 17 November 2019, dari https://medium.com/inside-design/a-guide-to-the-golden-ratio-for-designers-b727ce1739ca

Gücük, B. (2016). Responsive Logos and Icons. Recent Researches in Interdisciplinary Sciences, 565–573. Diambil dari https://www.researchgate.net/publication/311952108_Recent_Researches_in_Interdisciplinary_Sciences

Harrison, J. (n.d.). Responsive Logos : An Exploration Into Scalable Branding for the Digital Age. Diambil 19 Mei 2020, dari http://www.joeharrison.co.uk/projects/responsivelogos

Hauff, A. (2018). Color Psychology in Marketing : The Complete Guide. Diambil 20 Mei 2020, dari https://coschedule.com/blog/color-psychology-marketing/#orange

Hegde, P. (2017). Golden Ratio : What it is and Why Should You Use it in Design. Diambil 17 November 2019, dari https://blog.prototypr.io/golden-ratio-what-it-is-and-why-should-you-use-it-in-design-7c3f43bcf98

Kemkominfo RI. (2020). Terjadi Pergeseran Penggunaan Internet selama Masa Pandemi. Diambil 19 Mei 2020, dari https://kominfo.go.id/content/detail/26060/terjadi-pergeseran-penggunaan-internet-selama-masa-pandemi/0/berita_satker

Khattak, S. R., Ali, H., Khan, Y., & Shah, M. (2018). Color Psychology in Marketing. Journal of Business and Tourism, 4(1), 183–190. Diambil dari https://www.awkum.edu.pk/jbt/archives/Volume-04-Number-01-Jan-June-2018.html

Listya, A., & Rukiah, Y. (2018). Visual Branding Produk Belimbing Olahan UMKM Depok Melalui Desain Logo. Demandia, 3(2), 55–74. https://doi.org/10.25124/demandia.v3i02.1548

Müller, J. (2019a). Mobile phone internet user penetration in Indonesia from 2017 to 2023. Diambil 19 Mei 2020, dari https://www.statista.com/statistics/309017/indonesia-mobile-phone-internet-user-penetration/

Müller, J. (2019b). Number of internet users in Indonesia from 2017 to 2023. Diambil 19 Mei 2020, dari https://www.statista.com/statistics/254456/number-of-internet-users-in-indonesia/

Ooley, A. (2019). Responsive Logos & Why Your Business Needs One. Diambil 19 Mei 2020, dari https://www.logomaker.com/blog/2019/03/13/responsive-logos/

Pakpahan, A. K. (2020). Covid-19 dan Implikasi Bagi Usaha Mikro, Kecil, dan Menengah. Jurnal Ilmiah Hubungan Internasional, ([Special Issue]), 59–64. Diambil dari http://journal.unpar.ac.id/index.php/JurnalIlmiahHubunganInternasiona/article/view/3870

Peate, S. (2018). Font Psychology and Typography Inspiration In Logo Design. Diambil 20 Mei 2020, dari https://fabrikbrands.com/font-psychology-and-typography-inspiration-in-logo-design/

Sarwono, J., & Lubis, H. (2007). Metode Riset untuk Desain Komunikasi Visual. Yogyakarta: Penerbit Andi.

Setiawan, I. N. A. F., & Jayanegara, I. N. (2019). Sistem Tanda Visual Logo STMIK Stikom Indonesia. Bali: STMIK Stikom Indonesia. Diambil dari https://books.google.co.id/books?id=K2-9DwAAQBAJ

Soewardikoen, D. W. (2019). Metodologi Penelitian Desain Komunikasi Visual. Yogyakarta: PT Kanisius.

Stikes ’Aisyiyah Bandung. (n.d.). Sejarah Stikes ’Aisyiyah Bandung. Diambil 19 Mei 2020, dari https://stikes-aisyiyahbandung.ac.id/index.php/public/page/detail/4

Wheeler, A. (2013). Designing Brand Identity : An Essential Guide for the Whole Branding Team (4 ed.). New Jersey: John Wiley & Sons, Inc.

Mochammad Faizal Rini Maulina
Published
2020-10-19
How to Cite
[1]
M. Faizal, “Responsive Logo Design as Visual Identity of DKV Universitas ‘Aisyiyah Bandung”, Visualita, vol. 9, no. 1, pp. 143-156, Oct. 2020.
Section
Articles