Janaru Saja: Jurnal Program Studi Sastra Jepang https://ojs.unikom.ac.id/index.php/janarusaja <div class="table-responsive"> <table style="height: 479px;" width="718"> <tbody> <tr> <td align="center" valign="center"> <p><img src="/public/site/images/fenny/Cover_Jurnal_(200-400px).jpg"></p> </td> <td style="width: 50px;">&nbsp;</td> <td align="justify" valign="top"> <p><span style="font-size: medium;"><strong>Janaru Saja: Jurnal Program Studi Sastra Jepang</strong> is a journal published two times annually (May and November) by Japanese Department (Program Studi Sastra Jepang) Universitas Komputer Indonesia, Bandung.</span></p> <p><span style="font-size: medium;">Janaru Saja has been accredited Sinta 5 by Directorate General of Research and Development Strengthening of the Ministry of Research, Technology and Higher Education of the Republic of Indonesia Number: 36 / E / KPT / 2019 dated December 13th, 2019 starting from Volume 6 Number 2 2019 to Volume 11 Number 1 2023.</span></p> <p><span style="font-size: medium;">This journal consists of paper-based articles, fresh ideas about Japanese language, literature, culture and its teaching and learning, which have never been published before. Scientific articles dealing with Japanese Studies are particularly welcome.</span></p> <p>&nbsp;</p> </td> </tr> </tbody> </table> </div> <p><span style="font-size: medium;">Specific topics of interest include (but are not confined to):</span></p> <p><span style="font-size: medium;"><span style="font-size: medium;">1. Japanese Studies <br></span></span><span style="font-size: medium;"><span style="font-size: medium;"><span style="font-size: medium;">2. Japanese Language Teaching/Learning&nbsp; <br></span></span></span><span style="font-size: medium;"><span style="font-size: medium;"><span style="font-size: medium;"><span style="font-size: medium;">3. Japanese Culture <br><span style="font-size: medium;">4. Japanese Literature <br><span style="font-size: medium;">5. Japanese Linguistics and Applied Japanese Linguistics&nbsp; <br><span style="font-size: medium;">6. Japanese for Specific Purposes</span></span></span></span></span></span></span></p> <p>&nbsp;<span style="font-size: medium;">Any submitted paper will be process through some necessary steps, such as reviewed by reviewers. Review process employs double-blind review that the reviewer does not know the identity of the author, and the author does not know the identity of the reviewers.</span></p> <p>&nbsp;</p> <p><strong>JANARU SAJA : Jurnal Program Studi Sastra Jepang</strong></p> <p>Indexed by :</p> <p><a href="https://scholar.google.co.id/citations?user=aUhJ0mcAAAAJ&amp;hl=en" target="_blank" rel="noopener"><img src="/public/site/images/fenny/googlescholar1.png"></a><a href="http://garuda.ristekdikti.go.id/"><img src="/public/site/images/fenny/garuda.png"></a></p> <p><a href="https://search.crossref.org/?q=Analisis+Kesalahan+Mahasiswa+Tingkat+Tiga+Dalam+Penggunaan+Tsuzuku+dan+Tsudzukeru&quot;"><img src="/public/site/images/fenny/crossref.png"></a><a title="Janaru Saja Sinta 5" href="http://sinta.ristekbrin.go.id/journals/detail?id=5738" target="_blank" rel="noopener"><img src="/public/site/images/fenny/s5_sintaaa(54kb)1.jpg" width="167" height="85"></a></p> <p><a href="https://statcounter.com/p12144466/?guest=1"><img src="/public/site/images/fenny/statcounter_newapp_logo-11.png" width="178" height="54"></a></p> <p>In Collaboration with:</p> <p><img src="/public/site/images/diana_ro/logo_asji1.png">&nbsp;&nbsp;<img src="/public/site/images/diana_ro/logo_aspbji2.jpg" width="122" height="104">&nbsp;&nbsp;<img src="/public/site/images/diana_ro/logo_kpsji1.jpg">&nbsp;&nbsp;</p> <p><a title="MoU ASJI" href="https://drive.google.com/file/d/1t8mz_yt1IJ0buAWH61y948nNkL4KpXOf/view?usp=sharing" target="_blank" rel="noopener">MoU ASJI</a> | <a title="MoU ASPBJI" href="https://drive.google.com/file/d/1z2MFIY5nztQStIbEuKQf2Ug9TS2AAc-K/view?usp=sharing" target="_blank" rel="noopener">MoU ASPBJI</a> | <a title="MoU KPSJI" href="https://drive.google.com/file/d/1LpVfTJw_njMB7_QVGxS1ExTDJifiDh-W/view?usp=sharing" target="_blank" rel="noopener">MoU KPSJI</a></p> en-US <ol type="a"><li>Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a <a href="http://creativecommons.org/licenses/by/3.0/" target="_new">Creative Commons Attribution License</a> that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.</li><li>Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.</li><li>Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See <a href="http://opcit.eprints.org/oacitation-biblio.html" target="_new">The Effect of Open Access</a>)</li></ol> sj@email.unikom.ac.id (Fenny Febrianty) sj@email.unikom.ac.id (Anisa Arianingsih) Tue, 30 Nov 2021 20:57:27 +0700 OJS http://blogs.law.harvard.edu/tech/rss 60 Analisis Makna Adverbia Tama Ni dan Metta Ni dalam Kalimat Bahasa Jepang https://ojs.unikom.ac.id/index.php/janarusaja/article/view/4737 <p><strong><em>Abstract</em></strong><br><em>This research aims to analyze the meaning of tama ni and metta ni. These two words are Japanese adverbs having the similar lexical meaning ‘rarely / seldom’, but contextually the meaning are different. The method used in this research is the descriptive qualitative method. The data were collected from sentences that posted on asahi.com and jakartashinbun.com by observation method and note-taking techniques. They were analyzed using distributional method with substitution technique. The meanings of these two adverbs were analyzed using contextual meaning theory. The results show that tama ni and metta ni have the similar meaning that is ‘something that rarely do or happen’. The difference is on specific context. The adverb tama ni is more likely to have a positive connotation with more time frequency than metta ni. Metta ni has the meaning of ‘rarely’ with a less time frequency than tama ni. However, if tama ni is accompanied by the particle ‘shika’ which means ‘only’ the meaning will be ‘only accasionally’ which can be matched with ‘rarely’.</em><br><em><strong>Keywords:</strong> Adverbs, contextual meaning, Japanese language</em></p> <p><br><strong><em>Abstrak</em></strong><br><em>Penelitian ini menganalisis makna adverbia tama ni dan metta ni. Kedua kata tersebut merupakan adverbia bahasa Jepang yang secara leksikal menyatakan ‘jarang’, tetapi secara kontekstual dapat memiliki makna yang berbeda. Metode yang digunakan pada penelitian ini adalah metode deskriptif kualitatif. Data berupa kalimat diperoleh dari laman online asahi.com dan jakartashinbun.com menggunakan metode simak dan teknik catat. Data dianalisis menggunakan metode agih, yaitu alat penentunya ada di dalam dan merupakan bagian dari bahasa yang diteliti dan disertai dengan teknik perluas, yaitu memperluas satuan lingual menggunakan unsur tertentu. Teori yang digunakan adalah teori makna kontekstual. Hasil analisis menunjukkan tama ni dan metta ni sama-sama memiliki makna “sesuatu yang jarang dilakukan atau jarang terjadi”. Perbedaan kedua adverbia tersebut terdapat pada konteks tertentu. Adverbia tama ni lebih cenderung memiliki konotasi positif dengan frekuensi waktu lebih dibandingkan metta ni, sementara metta ni secara utuh memiliki makna ‘jarang’ dengan frekuensi waktu lebih sedikit dibandingkan dengan tama ni. Namun, jika adverbia tama ni dibarengi dengan partikel shika yang berarti ‘hanya’ maknanya akan menjadi ‘hanya sesekali’ yang mana mendekati makna ‘jarang’.</em><br><em><strong>Kata Kunci:</strong> Adverbia, bahasa Jepang, makna kontekstual</em></p> Ladycia Sundayra, Anak Agung Ayu Dian Andriyani ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 https://ojs.unikom.ac.id/index.php/janarusaja/article/view/4737 Tue, 30 Nov 2021 00:00:00 +0700 Representasi Kawaii dan Omotenashi pada Yuru-kyara Prefektur Nara https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5190 <p><strong><em>Abstract</em></strong><br><em>Yuru-chara is one of a type of mascot in Japan that aims to promote local government events, revitalization of villages/cities/provinces, and government institutions. The purpose of this study is to describe the denotative and connotative meanings of yuru-chara from Nara Prefecture, and to interpret the representation of the kawaii and omotenashi concepts contained in the yuru-chara. This research is qualitative interpretive research using library research as a methods of data collection. The data in this study were pictures and photos of yuru-chara Sento kun, Manto kun, Na-ra chan, Renka chan, Narakkii and Nakkyon which were then analyzed using Roland Barthes' semiotic analysis. The results of data analysis show that in every yuru-chara of Nara Prefecture that has been analyzed, there are denotative and connotative meanings that are closely related to the elements of the brand that created the yuru-chara because it’s uses as a promotional media (promotional characters). The representation of the kawaii concept in yuru-kyara is a way to attract people's attention. Omotenashi maintains the collaboration between the brand and the community as well as an image of the friendly culture of Japanese society.</em><br><em><strong>Keywords: </strong>Kawaii, omotenashi, Roland Barthes’ semiotics, Yuru-chara</em></p> <p><strong><em>Abstrak</em></strong><br><em>Yuru-kyara merupakan salah satu jenis maskot di Jepang yang bertujuan untuk mempromosikan baik acara pemerintahan daerah, revitalisasi desa/kota/provinsi, maupun lembaga/instansi pemerintahan. Tujuan penelitian ini yaitu untuk mendeskripsikan makna denotasi dan konotasi dari yuru-kyara Prefektur Nara, serta menginterpretasikan bagaimana representasi dari konsep kawaii dan omotenashi yang terdapat pada yuru-kyara tersebut. Penelitian ini merupakan penelitian interpretatif kualitatif dengan metode pengumpulan data dilakukan dengan metode studi pustaka. Data dalam penelitian ini berupa gambar dan foto dari yuru-kyara Sento kun, Manto kun, Na-ra chan, Renka chan, Narakkii dan Nakkyon yang kemudian masing-masing dianalisis menggunakan analisis semiotika Roland Barthes. Hasil analisis data menunjukkan bahwa pada setiap yuru-kyara Prefektur Nara yang telah dianalisis, terdapat makna denotasi dan konotasi yang berkaitan erat dengan unsur-unsur dari brand yang menciptakan yuru-kyara tersebut karena Ia berperan sebagai media promosi (promotional characters). Representasi konsep kawaii pada yuru-kyara merupakan sebuah cara untuk dapat memikat perhatian masyarakat. Omotenashi menjaga kerjasama antara brand dengan masyarakat serta sebagai gambaran budaya masyarakat Jepang yang ramah-tamah.</em><br><em><strong>Kata kunci:</strong> Kawaii, omotenashi, semiotika Roland Barthes, Yuru-kyara</em></p> Wahyu Devita Setyarini, Yusida Lusiana, Yudi Suryadi ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5190 Tue, 30 Nov 2021 00:00:00 +0700 Hierarki Kebutuhan Motivasi Tokoh Utama Anime Shigatsu Wa Kimi No Uso https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5230 <p><strong><em>Abstract</em></strong><br><em>The research entitled Hierarchy of Needs for the Main Character Kousei Arima of anime Shigatsu Wa Kimi No Uso Study of Humanistic Psychology, aims to describe the hierarchy of needs Kousei Arima in achieving his real self. Data source of this research uses a dialogue that shows the hierarchy of needs Kousei Arima in the anime Shigatsu Wa Kimi No Uso. Theory used in this research is the theory hierarchy of needs proposed by Abraham Harold Maslow. Data collection method and technique used is listening method which is followed by note-taking technique. Furthermore, the research is presented with an informal method. The result of this research is the achievement of Kousei Arima in fulfilling his hierarchy of needs well and can achieve his real self.</em><br><em><strong>Keywords:</strong> Anime, main character, motivation</em></p> <p><br><strong><em>Abstrak</em></strong><br><em>Penelitian yang berjudul Hierarki Kebutuhan Tokoh Utama Kousei Arima pada Anime Shigatsu Wa Kimi No Uso Kajian Psikologi Humanistik ini bertujuan untuk mendeskripsikan hierarki kebutuhan Kousei Arima dalam mencapai real self nya. Penelitian ini bersifat deskriptif kualitatif. Sumber data dari penelitian ini menggunakan dialog yang memperlihatkan hierarki kebutuhan Kousei Arima pada anime Shigatsu Wa Kimi No Uso. Teori yang digunakan dalam penelitian ini adalah teori hierarki kebutuhan yang dikemukakan oleh Maslow (2018). Metode dan teknik pengumpulan data yang digunakan adalah metode simak yang kemudian dilanjutkan dengan teknik catat. Selanjutnya, penelitian disajikan dengan metode informal. Hasil dari penelitian ini adalah pencapaian Kousei Arima dalam memenuhi hierarki kebutuhannya dengan baik dan dapat mencapai real self nya.</em><br><em><strong>Kata kunci:</strong> Anime, motivasi, tokoh utama</em></p> Ni Luh Gede Yuliantarini, Anak Agung Ayu Dian Andriyani, Betty Debora Aritonang ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5230 Tue, 30 Nov 2021 00:00:00 +0700 Cybercrime Dalam Manga Summer Wars https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5727 <p><strong><em>Abstract</em></strong><br><em>The purpose of this study was to analyze the type of cybercrime in the manga Summer Wars by Iqura Sugimoto. This research is a library research using descriptive analysis research method. The primary data of the research are 14 illustration that displays cybercrime from manga Summer Wars. Primary data collection techniques are carried out through observation and note-taking techniques. The result showed that according to the Cybercrime theory by Marco Gercke (2012), that the type of cybercrime that is occurring in the Summer Wars manga are illegal access, wrong use of program, attack against system, identity theft, and attack against critical infrastructure.</em><br><em><strong>Keywords:</strong> Cybercrime; Marco Gercke.</em></p> <p><br><strong><em>Abstrak</em></strong><br><em>Penelitian ini bertujuan untuk mengetahui dan mengidentifikasi jenis tindak kriminal Cybercrime pada Manga Summer wars karya Iqura Sugimoto. Metode penelitian yang digunakan adalah deskriptif analisis. Data primer penelitian berupa 14 ilustrasi gambar yang menunjukkan tindakan cybercrime dari manga Summer Wars. Teknik pengumpulan data primer dilakukan melalui teknik simak dan teknik catat. Temuan penelitian menunjukkan bahwa ditinjau dari teori cybercrime oleh Marco Gercke (2012), jenis- jenis Cybercrime yang terjadi pada Manga Summer Wars adalah akses ilegal, penyalahgunaan program, serangan terhadap sistem, pencurian identitas, dan penyerangan terhadap infrastruktur penting.</em><br><em><strong>Kata Kunci:</strong> Cybercrime; Marco Gercke</em></p> Ryufarhan Dzulfikar Wienarya, Mohammad Ali, Soni Mulyawan Setiana ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5727 Tue, 30 Nov 2021 00:00:00 +0700 Nilai Sosial dalam Film 1 Rittoru No Namida https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5291 <p><strong><em>Abstract</em></strong><br><em>The research entitled Social Values in Film 1 Rittoru No Namida aims to describe the social values contained in the film. This research is descriptive qualitative. The data source of this research uses dialogues and pictures that show the social values contained in the film. The underlying theory in this research is Ian Watt's theory of the sociology of literature part of social function literature and the discussion will use a description from Notonegoro. The data collection methods and techniques used are the listening method which is then followed by the note-taking technique. Furthermore, the research is presented with an informal method. The results of this study are to find the social values contained in the film including material values, vital value and spiritual value which are divided into value, truth, aesthetic value, moral value, and religious value.</em><br><em><strong>Keywords:</strong> Film, social value, sociology of literature</em></p> <p><br><strong><em>Abstrak</em></strong><br><em>Penelitian yang berjudul Nilai Sosial Dalam Film 1 Rittoru No Namida ini bertujuan untuk mendeskripsikan nilai sosial yang terdapat dalam film. Penelitian ini bersifat deskriptif kualitatif. Sumber data dari penelitian ini menggunakan dialog serta gambar yang memperlihatkan nilai sosial yang terdapat dalam film. Teori yang mendasari dalam penelitian ini adalah teori sosiologi sastra Ian Watt pada bagian fungsi sosial sastra dan pada pembahasan akan menggunakan penjabaran dari Notonegoro. Metode dan teknik pengumpulan data yang digunakan adalah metode simak yang kemudian dilanjutkan dengan teknik catat. Selanjutnya, penelitian disajikan dengan metode informal. Hasil dari penelitian ini adalah menemukan nilai sosial yang terdapat pada film diiantaranya nilai material, nilai vital serta nilai kerohanian yang dibagi menjadi nilai nilai, kebenaran, nilai keindahan, nilai moral, dan nilai keagamaan</em><br><em><strong>Kata kunci:</strong> Film, nilai social, sosiologi sastra</em></p> Kadek Widya Antari Karin, Wayan Nurita, Betty Debora Aritonang ##submission.copyrightStatement## http://creativecommons.org/licenses/by-nc-sa/4.0 https://ojs.unikom.ac.id/index.php/janarusaja/article/view/5291 Tue, 30 Nov 2021 00:00:00 +0700